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Recorded in hotel rooms, aeroplanes, trains, taxis, and tour vans, and in locations as far-flung as LAX airport, a shack on the west coast of Mexico, a log cabin in rural Tasmania, a bus rattling towards Vegas, as well as studios in LA, New York, and his hometown of Sydney, Skin is “a grand expedition in trying to capture the biggest, most epic, powerful moments,” says Streten. That definitely influenced the new stuff a lot.” So I did want to keep the next album at a certain high energy. “If I wrote chilled stuff, which I really like, I’d find it difficult to play it at a festival. “I do think about them and I don’t want to isolate them,” says Streten of the writing process. A sizeable one at that - beyond millions of listeners and his own sold-out shows, Flume has become a major draw at international festivals, including Reading, Leeds, Pukkelpop, Bonnaroo, Lollapalooza, and a headliner slot at Rock En Seine in Paris to 40,000 fans. “It used to be just writing for myself but now there is an audience,” says Streten. With good reason - its creation mirrors the complex rush of sensations that came with Streten’s success. The 24-year old Australian producer’s wildly eclectic follow-up is a meticulously crafted, vivid universe of big emotions woven into a densely cinematic whole.
“Shock” plays a significant role on Flume’s often-outrageous second album, Skin. “I was just some quiet kid in high-school and all of a sudden I kind of got dropped into the deep end. “It was a crazy journey,” says Flume - aka Harley Streten - of his 2012 self-titled debut’s international success.
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